在贫困的环境里长大，她因那份对黄梅调的热爱而被迫离开家门。她的聪明才智和坚韧不拔的精神让她很早就开始了自己的艺术之路。在13岁时，她跟随严云高老师学习黄梅戏，随后又在枞阳、桐城等地表演 her voice was sweet and melodious, with a singing style that was both pure and smooth. She had a knack for bringing characters to life, with roles like Tao Jinhua in "Beat the Pig Grass," the Seven Fairies in "Heavenly Match," Feng Sujing in "The Lady-in-Waiting," Niulang's wife in "The Cowherd and Weaving Maiden," and Zhao Wusun in "After Harvest." Three of these stories were adapted into films. Over 23 years of dedication, she made significant contributions to the development of Huangmei Opera.